i want a word for the almost-home.
that point where the highway’s monotony becomes familiar
that subway stop whose name will always wake you from day’s-end dozing
that first glimpse of the skyline
that you never loved until you left it behind.
what do you call the exit sign you see even in your dreams?
is there a name for the airport terminal you come back to,
i need a word for rounding your corner onto your street,
for seeing your city on the horizon,
for flying homewards down your highway.
give me a word for the boundary
between the world you went to see
and the small one you call your own.
i want a word for the moment you know
you’re almost home.
this guy was watching the vmas with me and now he’s educating himself how precious is that
he keeps asking me all these questions about aspects of feminism and he’s like “so basically it’s about letting women do what they want without being judged for it” and I was like yea and he was like “oh okay that’s so simple why isn’t everyone a feminist” it’s precious
update: I banged him
Just remember: even if you can’t slay dragons and shoot fireballs from your hands, you can step over small objects in your path, and that makes you more badass than a lot of video game characters.
new aesthetic: surreal pop punk
your shorts are glowing and are made of a material not known to this world. your vans die and regenerate every night. every band does covers of gregorian chants. your bangs extend into infinity.
fall out void
Abandon your mortal form and ascend to a higher plane! at the disco
Okay, but this movie wins the award for Best Use of Manpain, tho.
In any other movie, Raleigh would’ve spent 90 minutes being like MY PAIN IS MORE IMPORTANT THAN YOUR STUPID WAR, and instead, he snaps back into action as soon as he meets Mako. That’s awesome. But what floors me is that he uses his own grief to help Mako survive hers. He knows how awful it is to lose your family. He knows what she’s going through. And instead of whining or thinking his pain makes him entitled to opt out of his responsibilities, he empathizes with Mako, supports her, and encourages her.
Raleigh’s greatest strength is his compassion. And that’s the kind of male hero I’d like to see on my screen, please.
Plus, like, a bazillion more movies about Mako Mori.
I have a friend who thinks Pacific Rim is the best expression of true, non-toxic, GOOD masculinity in recent times.
Let’s talk about Stacker Pentecost in light of this, though. Because we learn, towards the end of the movie, that the day he met Mako is the day he lost his partner. He gets out of that jaeger after having piloted it alone, after having his body burned for hours by toxic radiation, after losing the person he was mentally linked to (family? partner? friend?) and what does he do? He adopts a young girl, and more than that, he promises her her right to revenge if that’s what she wants. Tries his best to keep her safe but gives her the tools and skills and support and eventually permission to fight. Respects her enough to rely on her. Gives her a home and family and meaningful, important vocation during the goddamn apocalypse. Let’s talk about the kind of masculinity that uplifts others that completely. That takes all kinds of pain and stands up in the face of it because of the people who need to see him still standing. That has purpose and drive and passion but above all understands other people and believes in them.
Stacker fucking Pentecost everybody.
Ferguson police are being sued for $40mil, +++ some of the officers are facing individual lawsuits for rights infringement. fucking break those cops.
Nude Portraits series by photographer Trevor Christensen
This is my new favorite thing
idk I sometimes finish sentences with a “~” bc a period seems too hard/almost angry and a blank is too blank
see you later. (secretly pissed)
see you later~ (floating away trailing glitter and fairy dust)
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